still real and rough.....well, real enough, but a good story takes much more than that......Mary Louise从出场起脑门子上就顶了“工具人”三个大字。比起引入一个纯纯用来点爆矛盾并借此解决一切的定制工具人,在S1结尾时我暗中期待看到的S2会讲一个更messy, foggy, and ugly的故事,which only needs the Monterey Five, those who surrounds their lives, and a third party truth-seeker. 可惜没看到咯,人人人人爱人人出处虽然我也清楚这不是个低要求。
圆圆q:210.37.150.119
Blue is the color of life. 今年的call me by your name。一样的悲伤情事,却是截然不同的基调。没有了意大利乡下的田园夏日,有的只是巴黎无处不在清冷的蓝。其实故事很简单,人人人人爱人人出处基本一直聚焦于爱情与人生。某种程度上和CMBYN一样也是个coming of age的电影。不过架不住导演把法国小清新拍得太炉火纯青,不油腻,不煽情,也没有过分悲伤。留给你的只有散不去的怅惘。摄影和美术极美,在设计感、真实性与视觉美感上找到了理想中的平衡。多兰应该学学怎么拍不会太像mv.